‘Conversation’ Sharp, who was said to talk ‘better than any man in England’, cast a wide spell of charm over his contemporaries. Once a wholesale hatter, whose ‘very dark complexion’ made it look ‘as if the dye of his old trade ... had got engrained in his face’ (‘darkness that may be felt!’ as one wag put it), he became a partner in a prosperous West India firm in London with Samuel Boddington†, George Philips* and his brother-in-law Davis. It was as the host, companion, critic and travel guide of the literati that he made his name: Byron, Coleridge, Sir James Mackintosh*, Moore, Rogers and Wordsworth were among his many friends and admirers. Miss Berry might dismiss him on a fleeting acquaintance as ‘clever, but ... of little real depth of intellect’, but those who knew him better did not doubt his mental powers. Byron thought him ‘a very clever man’; Wordsworth rated him highly; and Francis Horner†, who was captivated by him and stood in awe of his ‘strong and purified understanding’, described him as
a very extraordinary man ... His great subject is criticism, upon which he always appears to me original and profound; what I have not frequently observed in combination, he is both subtle and feeling. Next to literature the powers of his understanding, at once ingenious and plain, show themselves in the judgement of characters ... He has paid much attention to metaphysics also.Edgeworth Letters, 66; S.J. Reid, Sydney Smith, 314; Smith Letters, i. 172; Scott Jnl. 191, 216-17, 222; A.W. Merivale, Fam. Mems. 210-11; Berry Jnls. ii. 344; Shelley Diary, i. 214; Byron Letters ed. R.E. Protheroe, ii. 341-2; v. 161; Wordsworth Letters ed. A.G. Hill, v. 68; Horner Mems. i. 240, 283.
He had taken ‘a very active part in the background’ of Whig politics during his first period in the House, when he was one of the few nonconformist Members, but he never achieved the eminence to which he had originally aspired. Philips believed that ‘he had not moral courage for Parliament’, recalling that ‘he was so awed there that his habitual fluency and correctness forsook him, and he could not speak without long and laborious preparation’. According to this account, Canning discovered Sharp’s secret and on one occasion ‘attacked him on that ground and exposed him to ridicule ... in such a manner as I think stopped his mouth forever afterwards’.
Mackintosh noted in July 1820 that Sharp seemed ‘very old’, later adding that he ‘grows more and more into the rigidity of age ... characterized by a repetition of the same thoughts and phrases’. Others, including Maria Edgeworth and Thomas Creevey*, recorded similar impressions of him and found his company trying.
had a long talk ... about everything and everybody, metaphysics, poetry, politics, scenery and painting. One thing I have observed in Sharp, which is quite peculiar to him among town-wits and diners-out. He never talks scandal. If he can say nothing good of a man he holds his tongue. I do not of course mean that in confidential communication about politics he does not speak freely of public men. But about the foibles of private individuals I do not believe that, much as I have talked with him, I ever heard him utter one word.Ward, Letters to ‘Ivy’, 347; Macaulay Letters, i. 272-3; ii. 18, 313 (quoted), 368, 376; vi. 275, 277.
Sharp published nine Epistles in Verse in 1828, followed by Letters and Essays in Prose and Verse in 1834, which enjoyed some success and went quickly to three editions.
